Sebastian Smee in The Washington Post: Kerry James Marshall is contemporary art’s great engine tinkerer. He wants to know how things work. In the 1990s, when his contemporaries were making slight, cerebral works using found objects, photography and minimalism to poeticize the commonplace or reveal h.
In the 1990s, when his contemporaries were making slight, cerebral works using found objects, photography and minimalism to poeticize the commonplace or reveal h.