Simon Critchley at The Guardian: Beginning with the Anglicanism of St Mary’s Church in Bromley, where Bowie sang in the choir, continuing with his immersion in Tibetan Buddhism in the late 1960s and on to the occultism of Aleister Crowley, Ormerod unpacks the religious preoccupations of Bowie’s art.
David Bowie: The Making Of A Modern Saint
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