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Reflections on Soviet Amateur Photography

Zeynep Devrİm Gürsel at Public Books: SONY DSC “Just as any advanced comrade must have a watch, he shall also possess mastery of a photo camera. ” So declared Anatoly Lunacharsky in 1926, in his role as the Soviet Union’s Commissar of Enlightenment. This programmatic statement was included in the very first issue of the photography journal Sovetskoe Foto, published that same year.

This programmatic statement was included in the very first issue of the photography journal Sovetskoe Foto, published that same year. In fact, such amateur photographic practice—as Oksana Sarkisova and Olga Shevchenko make clear in their book In Visible Presence: Soviet Afterlives in Family Photos—was a key form of active Soviet citizenship. A photographer’s manual published in 1931 openly ordered all to turn their cameras away from family, friends, and other mundane subjects and demanded, “Not one photograph devoid of social significance.

A photographer’s manual published in 1931 openly ordered all to turn their cameras away from family, friends, and other mundane subjects and demanded, “Not one photograph devoid of social significance.

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